Lights, cameras, LED | National Optoelectronics (National)
133
2023-11-16
From traditional broadcasting facilities to virtual production studio, the latest generation of LED display provides new choices for producers and integrated vendors, and at the same time help broadcasting companies provide future guarantee for their studio in the next few years.
As the broadcasting industry came out of the challenge of the past two years, the rise of LED display technology has completely entered a new era. The increasingly affordable LED screen has been found in traditional studio and newly mixed and virtual production facilities.New home.
Compared with the old LCD display and the green screen background, LED has countless advantages in broadcast production.The flexibility provided by the LED video wall enables the broadcasting company to quickly change their live broadcast appearance, allowing the same set of devices for multiple programs of different types, and ABSEN's direct view of the technology behind the LED (DVLED) panel.As a actual display pixel, the LED allows creating high contrast, high brightness, and large surface display, which can be reduced to any size or shape.
Ibison's LED panel can also be repaired quickly and easily from the back without turning off the entire screen.This means that the stoppage time of the studio is very short, which is particularly beneficial when working on the upcoming setting.
At the same time, the virtual studio, which combines LED flooring, walls, ceiling with augmented reality and XR stage, plays an increasingly important role in broadcast production.This includes the LED on the camera (enabled actors, demonstrators and creators to interact with the surrounding environment without being limited by green screens) and on -site activities.
The virtual studio was once a patent of a big budget story film. Now it provides a multi -functional space for the production of various scale, so that high -quality visual effects can be produced when they are unable or do not want to shoot in person.
Last summer, Catalyst Event Production Services, headquartered in Scotland, sought to create a flexible solution to continue to provide customers with activity services while complying with local coronary virus restrictions.Therefore, Catalyst Connect is located in the center of Perth's office. It covers an area of 200 square meters and has a 50 -square -meter demonstration stage. The background is ABSEN LED display.The company chose Ebison's lightweight ARIES 1.5 miniled; Aries 170.1 has a 5 ° wide -view angle and high contrast, which can present vivid and fascinating content. It is a perfect indoor 4K resolution LED display that meets the requirements of the virtual studio.
In addition to the ARIES (AX) series, the LED products recommended for virtual production recommended by Ebison also include the Polaris (PL) series for the background and the upcoming Pixel Reality (PR) series.(JP) series, and the MARS (MR) series for the floor.
Pixel Reality is born for virtual production. It is a new design platform announced by the company's recent online event.PR series-focusing on high contrast, refresh rate, color gamut, frame rate and brightness; anti-reflective design; improved high dynamic range (HDR) response; and screens with up to 10 ° curve-including a series of innovative new productsAnd the "VP" version of the existing production line to bring them into Edison virtual production ecosystem.
