When shooting large -scale complex movie scenes in busy streets or tourist hotspots, heavily requires heavy planning and logistics work: the desolate streets of New York in Independence Day, or the original and empty coast of Pippi Island on the beach.Need negotiations, plans, and a lot of funds to allow the production team to suddenly appear and shoot at these elaborate iconic locations.

Even without a large number of budgets of Hollywood directors, allowing location shooting, the production team needs to buy a set of scenes for shooting.They need to form a complete work team to plan, build, travel, and shoot the shots they need to create.

In order to bypass these lofty logistics, there is another choice that has set off waves on the TV and film industry: virtual production LED studio.

This technology has been used for broadcasting/mixed activity spaces, for more corporate applications, and its far -reaching potential is being achieved by global documentary producers, television studios and large -scale movie studios.

When describing the complex dynamic characteristics of LED setting, Brian J. MacAuto believes that before promoting the LED solution for customers, the scope of the project is the first factor to explain: "Once the scope of the project is understood, the scope of the project, the scope of the project, the scope of the project, the scope of the project, the scope of the project,You can design solutions. We need to find all the details of the front end before we can design the LED volume, or use the existing volume to meet the needs of the project, "he said."Because the use cases of virtual production are very different, you can create a small studio in the office building or huge Hollywood studio."

This breakthrough solution will have a tangible world with real -time fusion of the virtual world. This is an unprepared technical feat, because it requires the entire ecosystem to integrate."It starts with a medium or large LED back wall, and then we add a LED ceiling to help create environmental lighting and reflection," MacAuto said."Then use practical lighting to illuminate (real) sets and props. Track the camera location in real time, and use the GPU system to render the content from the correct angle of the camera and display it on the LED wall.

"With a large number of on -site skills and talents such as film photographers, lighting experts, and traditional film production teams, they will help create realistic lights and environmental effects. The magic of film production will occur in the eyes of the camera."

As mentioned earlier, the ecosystem consists of many parts: camera tracking, video processing, synchronization, time code, media server, content asset storage, backup, video recording, recording, lighting, networking, power distribution, monitoring system -endless impossibleRules.

For film producers/producers, a complete solution like Ebison's virtual studio really requires a huge initial expenditure, but it is this initial investment offset the shooting and post -production work on the studio and post -production work.During the period, a large amount of expenditure and indirect expenses should be filmed in the "traditional" manner, and the cost must be invested in production over and over again.

This innovative virtual production LED solution does not mean that we know the death of live shooting or visual effects, but what it provides actors and creators is beyond the scope that can be realized before its idea.

The actors can participate in the scene where they are shooting in real time, and provide them with an infinitely superior performance environment, rather than talking to the gap in the green screen.

At present, the process of non -destructive production is available. From the moment of film conception to production, the curator's vision stays in a "engine" -ly, of course, there are even less waste produced by physical clothing.

The fast -changing scene conditions provide unlimited choices to meet the needs of real -time scripts.Weather conditions may change -different seasons, countries, and even planets can be summoned in an instant.This aspect alone enables filmmakers to create more sustainable, more efficient and creative works.

Ebison's good record in VP studio installation has made it the best choice for the integrator.It is worth noting items include Asia's largest indoor panoramic LED virtual studio.The three -dimensional LED studio is 6 meters high, 24 meters in diameter, and a total area of 700 square meters. It is equipped with the LED ceiling screen and the LED curved screen.

In Europe, Ibison recently provided 150 square meters of PL2.5 Pro for a virtual producer studio in Croatia.In North America, ABSEN is also the preferred LED of transquebec.inc.Canadian studio, as well as the American studio Show Imaging Studio and the largest VP studio AIRLOT 21 in Florida.The studio was built by an audiovisual solution expert 4Wall and used ABSEN PL2.5 Pro to have a 22,000 square foot stage in the outer view of the Universal Studios of the Orlando Universal Studios, Florida.The wall uses 1,022 PL2.5 Pro LED panel to provide a contrast of 8,800: 1.

In addition to the PL series (PL2.5 and PL1.9), Ebison also designed many other products to create medium/large production studios.The AX Pro series (AX1.2 Pro and AX1.5 Pro) is used as a 1mm background screen. Even under the horizontal and vertical 170 -degree perspective, color deviations will not appear.

The MR series LED floor (MR2.5 and MR4.8) used in the virtual production stage can be easily connected to create any size floor.Its high -intensity framework design guarantees safety and durability, and the MR4.8 matte version can withstand a load of about 2.5 tons.

With many innovative new products, Ebison's team is committed to helping customers understand how to achieve their creativity.

Therefore, as Hollywood's glittering and charm continues to excite all of us in 2022 and afterwards -actors may be in the blockbuster, but behind the scenes, the rising new star is undoubtedly EdisonSpecial virtual production LED.